Gilpin popularized his theory through a series of travel guides, published beginning in , in which he pinpointed places from which to view "picturesque" scenes within rural landscape.
Price and Knight looked not to rustic scenery but to estate landscapes in their appraisals of the picturesque. Like Gilpin, Price believed that aesthetic qualities were objective properties. Influenced by Edmund Burke 's treatise, A Philosophical Inquiry into the Origins of Our Ideas of the Sublime and Beautiful ; revised , however, Price also believed that perception of specific forms and textures could elicit specific thoughts and feelings within the mind of an observer. In his Essay on the Picturesque , Price described the picturesque as an aesthetic category in which perceptions of roughness, irregularity, and unexpected variety could produce sensations of curiosity and pleasure.
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In "The Landscape" , a poem dedicated to Price, and later in his substantial Analytical Inquiry into the Principles of Taste , Knight differed from Gilpin and Price by suggesting that the picturesque was defined not by objective properties but by a mode of perception. More specifically, Knight proposed that the picturesque was an understanding produced in the mind of the observer through the association of ideas, and that individuals with higher levels of cultural education would be more inclined to experience it.
Despite theoretical uncertainties, the practice of configuring real space to resemble paintings became a vital aspect of garden and landscape design in eighteenth-century Britain , particularly in the work of William Kent — , William Shenstone — , and Lancelot "Capability" Brown — Price and Knight severely disapproved of Brown's untextured designs and hoped, through their writings, to foster appreciation among estate owners of more variegated, "patinated" landscapes.
On the Continent, picturesque composition played an important role in the emergence and development of irregular design, beginning in the s in France and, subsequently, in countries as far separated as Italy and Russia. Andrews, Malcolm.
Essay Picturesque, Compared Sublime Beautiful - AbeBooks
Stanford, Bermingham, Ann. Berkeley, Hunt, John Dixon.
The Picturesque Garden in Europe. New York , Hussey, Christopher. The Picturesque: Studies in a Point of View. London, Reprint, London, Price, Martin. Pottle, edited by Frederick W. Hilles and Harold Bloom , pp. Cite this article Pick a style below, and copy the text for your bibliography. October 20, Retrieved October 20, from Encyclopedia. Then, copy and paste the text into your bibliography or works cited list.
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An Essay on the Picturesque
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